BOSS GT-10 Patches -
Guitar Multi-Effects Pedal Processor

AC/DC: For the AC/DC patches I have my volume at about 60% for rhythm parts and 100% for solo sections. Some of the patches have the control pedals assigned to effects (delay, reverb, pitch shifter, etc.), and on other patches the control pedals are off.

AEROSMITH: For Walk This Way Rhythm patch the CTL-1 pedal adds a guitar to the right speaker, and the CTL-2 pedal puts the guitar in the center. Use the lead pickup (in dual-coil mode) for the intro and verses, rhythm pickup (in dual-coil mode) for the stereo bar chords, and both the rhythm and lead pickups (in dual-coil mode) for the short-answer-chords in the chorus section.

ALABAMA, LIONEL RICHIE: For Deep River Woman the CTL-1 pedal changes from the intro/ending guitar sound to the left-speaker guitar sound.

BEN VAUGHN: For 3rd Rock From The Sun Intro/Rhythm the CTL-1 pedal switches from the Intro sound to the Rhythm sound.

BOB MARLEY: For Is This Love the CTL-1 pedal turns the Delay effect on/off, the CTL-2 pedal switches to the center guitar sound.

BOB SEGER: For Her Strut 1 patch the CTL-1 turns the Reverb effect ON for use from the middle break-down section through the end of the song. For Her Strut 2 patch the CTL-1 pedal when held-down turns the Delay effect ON, the CTL-2 pedal will reverse the delays from left-to-right to right-to-left, and the EXP-1 pedal in the UP position places the guitar in the center and in the DOWN position places the guitar in both left and right speakers for the high E with B-string parts.

BOSTON: For Foreplay/Long Time Rhythm patch the CTL-1 pedal when pushed will remove some bass frequencies (creating a more-treble guitar sound) for use after the intro (Foreplay) section. For Foreplay/Long Time Solo patch the CTL-1 pedal turns the delay on/off, CTL-2 pedal turns Chorus on/off, and when the EXP-1 pedal is moved down it adds full reverb and sustaining delays. For Foreplay/Long Time Effects patch the CTL-1 pedal when pushed will add full sustain to the delay effect, and the EXP-1 pedal when pushed downward will increase the speed of the delay effect. For Hitch A Ride Distortion2 the CTL-1 pedal will switch from mono-guitar to stereo-guitars with delay and reverb ON, and the CTL-2 pedal will turn off/on the Delay effect. For Peace Of Mind Lead patch the CTL-1 pedal switches from STEREO to MONO guitar mode, the EXP-1 pedal in the UP position puts the guitar LEFT and in the DOWN position puts the guitar RIGHT, the CTL-2 pedal switches back to STEREO guitars. For Hyperspace Pedal Effect patch the CTL-1 pedal turns 3 effects (including reverb) off/on, and the CTL-2 pedal makes the delay last longer/shorter. For Rock And Roll Band Lead the CTL-2 pedal turns the EXP-1 Wah-effect on/off. For Smokin' the CTL-1 pedal adds a guitar to the center-channel and adds more of the Chorus effect, and the CTL-2 pedal turns the Phaser effect on/off.

BRAD PAISLEY: For Ticks the CTL-1 pedal turns the Tremelo effect on/off, the CTL-2 pedal turns the Delay effect off/on. For Ticks Wah Wah Effect the CTL-1 pedal puts the guitar in the center, the CTL-2 pedal places the guitar from the left to the right speaker, the EXP-1 pedal in the UP position is the low-frequency wah-effect sound, the EXP-1 pedal in the DOWN position is the high-frequency wah-effect sound [Note: Moving the EXP-1 pedal from the UP position to the DOWN position gradually changes from the low-frequency wah-effect sound to the high-frequency wah-effect sound]. For Ticks Tremelo Effect the CTL-1 pedal turns the Tremelo effect off/on, the EXP-1 pedal in the UP position is the low-frequency wah-effect sound, the EXP-1 pedal in the DOWN position is the high-frequency wah-effect sound [Note: Moving the EXP-1 pedal from the UP position to the DOWN position gradually changes from the low-frequency wah-effect sound to the high-frequency wah-effect sound]. For Online the CTL-1 pedal switches to the right-speaker guitar sound, the CTL-2 pedal turns the Tremelo effect on/off. For All I Wanted Was A Car the CTL-1 pedal changes the Delay settings, the CTL-2 pedal turns the Delay effect off/on.

BRYAN ADAMS: For Summer Of '69 press the CTL-1 pedal for the ending guitar soloing.

CHUCK BERRY: For Johnny B. Goode the CTL-1 pedal changes to the dry (less-reverb) solo sound, the CTL-2 pedal adds more-reverb for the middle-of-song solo-section.

DEEP PURPLE: For Smoke On The Water the CTL-1 pedal adds another guitar to the right speaker, and the CTL-2 pedal puts the guitar in the center, changes the reverb settings, and lowers the pre-amp gain level.

DEFTONE: For John Lennon Jealous Guy patch the EXP-1 pedal gradually changes from clean-electric (down) to crunch-distortion (up), and with the EXP-1 pedal UP pressing the CTL-1 pedal switches to full-distortion, and the CTL-2 pedal switches from stereo (left and right) guitars to one guitar in the center channel only.

DIRE STRAITS: For Ride Across The River the EXP-1 pedal changes the Delay settings [Use the UP/Max position for most of the song; Use the Down/Minimum position for the end of the song which will increase the Delay volume and feedback levels].

ERIC CLAPTON: For Tears In Heaven the CTL-1 pedal moves the guitar from the center to the left-speaker. For Layla the CTL-1 pedal switches from the rhythm-sound to the chorus-melody-sound and the CTL-2 pedal switches from the rhythm-sound to the left-verse-melody guitar sound [Note: Turn-OFF the CTL-1 pedal before turning-ON the CTL-2 pedal (and vice-versa)]. For Crossroads (by Cream) the CTL-1 pedal lowers the Reverb effect level and the CTL-2 pedal places the guitar from the right-speaker to the center. For Lay Down Sally the CTL-1 pedal switches from the left-guitar-sound to the right-guitar-sound. For Cocaine the CTL-1 pedal switches from the solo-guitar-sound to the right-guitar-sound and the CTL-2 pedal switches from the right-guitar-sound to the left-guitar-sound [Note: Only press the CTL-2 pedal after the CTL-1 pedal has been pressed]. For I Shot The Sheriff the CTL-1 pedal switches from the left/rhythm-guitar sound to the center-guitar sound and the CTL-2 pedal switches from the left/rhythm-guitar sound to the stereo-melody-guitar-sound. For Change The World Acoustic the CTL-1 pedal moves the guitar from the right-speaker into the left-speaker, and the CTL-2 pedal places the guitar in the center.

ERIC JOHNSON: For Cliffs Of Dover the clean electric sound is heard by having the EXP-1 pedal in the DOWN position, distortion in the UP position, with crunch distortions inbetween.

EUROPE: For Open Your Heart Distortion the CTL-1 pedal places the guitar in the center, adds delay, and increases the reverb effect volume.

GARY MOORE: For Still Got The Blues the CTL-1 pedal switches from the distortion sound to the clean sound and the CTL-2 pedal turns the reverb and delay off (for the verse sections).

GEORGE BENSON: For the Breezin' Album patch the CTL-1 pedal turns a tremelo-effect on/off, the CTL-2 pedals turns the reverb off/on.

GUNS N ROSES: For Night Train the CTL-1 pedal changes the left-guitar (Preamp-A) from full-distortion to a cleaner crunch-distortion sound, and the CTL-2 pedal switches from stereo guitars (left and right) to mono guitar (center channel only, Preamp-A). For Sweet Child Of Mine Intro/Solo the CTL-1 pedal switches from the intro-sound to the solo-sound. For Sweet Child Of Mine 4 the CTL-1 pedal switches from the left-speaker-guitar to the right-speaker-guitar and the CTL-2 pedal lets you use both (the left-speaker-guitar and the right-speaker-guitar at the same time).

HEART: For Barracuda the CTL-1 pedal places the guitar from the right-speaker to the left-speaker, the CTL-2 pedal switches to the solo-sound, the EXP-1-Pedal-Switch turns the Reverb effect on/off.

JERRY REED: For East Bound And Down (Smokey And The Bandit Theme Song) the CTL-1 pedal switches from the verse-sound to the solo-sound and the CTL-2 pedal adds a doubling-effect to the solo-sound.

JIMI HENDRIX: For Purple Haze 1 the CTL-1 pedal removes some bass-frequencies for using after the 8 intro notes and the CTL-2 pedal turns the Delay effect on/off. For All Along the Watchtower the CTL-1 pedal switches from the solo guitar sound to the verse guitar sound, the CTL-2 pedal turns the Panning effect on/off (for the slide and wah wah guitar parts), and the EXP-1 Pedal Switch turns the wah wah effect on/off [Notes: For the intro solo and verses use the rhythm/neck pickup in single-coil mode. Switch to the lead/bridge pickup in single-coil mode for some of the other solos. For the slide guitar sound tune the high-E string down a whole step and use the rhythm/neck pickup in single-coil mode. For the wah wah solo use the rhythm/neck pickup in single-coil mode. Jimi Hendrix plays a lot of the solo notes with a soft touch]. For Voodoo Child the CTL-1 pedal switches from the crunch-distortion sound to full-distortion, the CTL-2 pedal turns the Panning and Chorus effects on (if you want your guitar to pan from left to right and right to left automatically, the EXP-1 Pedal Switch turns the Wah Wah effect on/off [Notes: For the intro use the rhythm/neck pickup in single-coil mode. Jimi Hendrix turns the Wah Wah effect off soon after the intro (turning it back on later in the song) and switches from the rhythm/neck pickup to the lead/bridge pickup often throughout the song. When switching to the lead/bridge pickup have it in single-coil mode]. For The Wind Cries Mary the CTL-1 pedal switches from the intro rhythm guitar sound to the solo guitar sound, and the CTL-2 pedal reduces the amount of reverb for the last 75% of the guitar solo. For Little Wing the CTL-1 pedal switches from the intro sound to the full-stereo effect sound and the CTL-2 pedal (with the CTL-1 pedal active) is for the guitar solo sound. For The Star Spangled Banner Woodstock 1969 the CTL-1 pedal turns the pulsing effect off, the CTL-2 pedal makes the pulsing go a little faster, and the EXP-1 Pedal Switch turns the Wah Wah effect on/off [Tip: Approximately half way into the music switch to the lead/bridge pickup in single-coil mode for a brighter (more treble) sound]. For Hey Joe the CTL-1 pedal switches from the intro (louder volume) sound to the verse (lower volume) sound and the CTL-2 pedal switches from the intro (louder volume) sound to the right-speaker solo guitar sound. For Fire the CTL-1 pedal increases the Preamp Gain for the four bright distortion chords just before the guitar solo and the CTL-2 pedal switches to the guitar solo sound [Note: Use the lead/bridge pickup in single-coil mode for the four chords before the guitar solo and for the guitar solo]. For Castles In The Sand the CTL-1 pedal increases the Preamp Gain (for after the intro and before the ending) which adds more bass frequencies and distortion, the CTL-2 pedal is for the ending and makes the guitar sound pan back and forth from the right to the left speaker [Note: Use the lead/bridge pickup in single-coil mode for this ending guitar sound], and the EXP-1 pedal is for the ending and reduces the guitar volume. For Foxy Foxey Lady the CTL-1 pedal switches from the intro guitar sound to the clean guitar sound, the CTL-2 pedal switches from the intro guitar sound to the guitar solo sound, and the EXP-1 Pedal Switch switches from the intro guitar sound to the 3 chords (F#, E, and B) guitar sound.

JOE SATRIANI: For Surfing With The Alien Lead the CTL-1 pedal places the guitar in the center and the CTL-2 pedal turns the Wah effect off/on. For Satch Boogie the CTL-1 pedal switches from the intro/ending-sound to the solo-sound and the CTL-2 pedal switches from the intro/ending-sound to the Flanger-effect-sound. For Ten Words the CTL-1 pedal switches to the clean-electric sound and the CTL-2 pedal turns the Wah-effect off/on. For Always With Me Always With You use the Rhythm/Neck-pickup in dual-coil mode for the intro-sound and the Lead/Bridge-pickup in single-coil mode for the brighter-guitar-sound. For Flying In A Blue Dream Distortion Solo the CTL-1 pedal changes the sound (for the 4 high-note melodies). For Summer Song the CTL-1 pedal changes the Delay effect from a stereo-delay to a mono-delay, the CTL-2 pedal switches to the stereo rhythm guitars sound [Note: Use the mono-delay effect for the rhythm guitars sound], the EXP-1-Pedal-Switch turns the Wah effect ON for the solo-sound [Note: Use the mono-delay effect for the solo-sound]. For 'If I Could Fly' the CTL-1 pedal increases the Preamp Gain Level (for after the intro melody notes) and the CTL-2 pedal increases the Reverb Effect Level (for the high-sustaining notes). For 'If I Could Fly Acoustic' the CTL-1 pedal adds some distortion for the break-down section.

JOHN PARKER: For CHiPs TV Theme Song the CTL-1 pedal turns the Phaser effect ON.

JOURNEY: For the Lights patch the CTL-1 pedal turns the Chorus effect on/off (for the rhythm fill/melody-note parts and bridge-section of the song for a fuller sound), the CTL-2 pedal changes to the solo sound, the EXP-1-Pedal-Switch turns the Delay effect on/off for the short high-E string-bend towards the beginning of the solo.

JUDAS PRIEST: For You've Got Another Thing Comin' the CTL-1 pedal switches to a clean-chorus sound and the CTL-2 pedal switches to the solo-sound.

LARRY CARLTON: For Magnum P.I. TV Theme Song (Seasons 3-8) the CTL-1 pedal increases the Delay Effect Level for the ending (after the solo) section.

LYNYRD SKYNYRD: For Sweet Home Alabama the CTL-1 pedal switches from the intro-sound to the solo-sound and the CTL-2 pedal switches from the intro-sound to the left-speaker guitar-sound [Guitar Pickup Settings: For the intro-sound the rhythm/neck-pickup should be in single-coil mode and the lead/bridge-pickup should also be in single-coil mode. For the left-speaker guitar-sound the rhythm/neck-pickup should be OFF and the lead/bridge-pickup should be in single-coil mode. For the solo-sound the rhythm/neck-pickup should be in single-coil mode and the lead/bridge-pickup should be in dual-coil mode].

METALLICA: For Enter Sandman Rhythm patch the CTL-1 pedal puts the guitar in the left-speaker, the CTL-2 pedal puts the guitar in the right-speaker.

MXR PHASE 90, MXR FLANGER: To make these patches I connected an Eddie Van Halen MXR Phase 90 and MXR Flanger pedal to the Ext. Loop Send/Return on the back of the BOSS GT-10. I was able to make the Phaser and Flanger effects inside the BOSS GT-10 sound identical. For the MXR Phase 90 patch: I made the CTL-1 footswitch function as the Script-switch and the EXP-1 pedal function as the Speed knob. For the MXR Flanger patch: Listening to Van Halen songs I was able to find the one setting Eddie Van Halen used on his MXR Flanger effects pedal (Manual: 3.1 o'clock, Width: 1 o'clock, Speed: 10 o'clock, Regeneration: 1.5 o'clock). It's this setting that I duplicated in the BOSS GT-10. With these patches view the FX-1 (Phaser/Flanger) settings, write them down, and then apply them to any BOSS GT-10 patch you own for that authentic MXR Phase 90/Flanger sound.

OZZY OSBOURNE: For the Ozzy Osbourne Crazy Train Rhythm patch the CTRL 1 pedal turns on/off a stereo delay for the intro pick effect. For Ozzy Osbourne Bark At The Moon Rhythm patch CTRL 1 is for the low-E string stereo-delay effect, CTRL 2 is a 2dB volume-boost for those areas of the music where the guitar is noticeably louder, and the EXP. 1 pedal in the UP-position is stereo guitar and in the DOWN-position is mono guitar.

PINK FLOYD: For Comfortably Numb the CTL-1 pedal changes from the middle-solo to the ending-solo guitar sound. For Another Brick In The Wall Clean the CTL-1 pedal switches from the PART-1 clean sound to the PART-2 clean sound [having more treble, no reverb] and the CTL-2 pedal changes the PART-2 clean sound to the PART-3 clean sound [which removes the delay and has a different stereo sound]. For Another Brick In The Wall Distortion I start with the EXP-1 pedal in the down-position (which lowers the volume a little); Press the CTL-1 pedal to turn off the Flanger effect; The CTL-2 pedal lowers the volume and increases the Reverb Effect Level for the [Part 3] melody notes and rhythm parts [Notes: After playing the 'D' chord gradually increase the volume by moving the EXP-1 pedal from the low-position to the high-position. For the melody notes section have the rhythm/neck-pickup in dual-coil mode with the lead/bridge-pickup turned OFF]. For Run Like Hell the CTL-1 pedal switches from the intro (mono) sound to the stereo (palm muted open D string) sound and the CTL-2 pedal changes the stereo (palm muted open D string) sound to the strumming chords sound. For Young Lust the CTL-1 pedal switches from the rhythm (full-stereo) sound to the guitar solo sound. For Wish You Were Here Acoustic the CTL-1 pedal switches from the intro (left of center) melody note and strumming sound to the right-speaker guitar sound, the CTL-2 pedal switches from the intro (left of center) melody note and strumming sound to having more bass-frequencies for the part where the drums come in, the EXP-PEDAL-SWITCH switches from the intro (left of center) melody note and strumming sound to the full stereo (left and right guitar) sound [Note: Because I fitted all three of these sounds into one patch I was not able to set the volumes where they should be; I recommend making individual patches for each of the three sounds so you can set the volumes to how you like best. I used a 6-string acoustic electric guitar in my audio sample; A 12-string acoustic electric guitar should be used for the intro (right-speaker) guitar sound]. For Breathe the CTL-1 pedal switches from the left-guitar-sound to the center-slide-guitar sound and the CTL-2 pedal switches from the left-guitar-sound to the right-slide-guitar sound [Note: For the center-slide-guitar sound use the lead/bridge-pickup in dual-coil mode; and for the right-slide-guitar sound use the rhythm/neck pickup in dual-coil mode]. For Money 1 the CTL-1 pedal switches from the intro (muted-note) guitar sound to the studdery guitar sound and the CTL-2 pedal switches from the intro (muted-note) guitar sound to the left-speaker guitar sound. For Money 2 Solo the CTL-1 pedal switches from the stereo guitar solo sound to the left-guitar-solo sound, the CTL-2 pedal turns the Delay effect on/off, and the EXP-1 pedal increases the reverb and bass frequencies when you push the 'bottom' of the pedal down. For Time press the CTL-1 pedal to switch from the intro clean delay guitar sound to the dry (no reverb or delay) rhythm crunch sound, and press the CTL-2 pedal to switch from the intro clean delay guitar sound to the guitar solo sound.

RATT: For Round And Round the CTL-1 pedal puts the guitar in the left-speaker, the CTL-2 pedal adds a guitar to the center speaker, the EXP-1-Pedal-Switch puts the guitar in the center for the solo.

RUPERT HOLMES: For Escape (The Pina Colada Song) the CTL-1 pedal switches to the distortion melody sound.

RUSH: For Fly By Night the CTL-1 pedal switches from the intro-sound to the solo-sound and the CTL-2 pedal switches from the intro-sound to the phaser-sound. For YYZ Rhythm the CTL-1 pedal switches from the stereo (left and right guitars) sound to the mono (center guitar) sound and the CTL-2 pedal changes the Delay settings for the stereo-guitars melody note playing. For Limelight 1 Rhythm the CTL-1 pedal reduces the Reverb Effect Level for all rhythm parts after the intro. For Time Stand Still the CTL-1 pedal switches from the intro-sound to the song-sound and the CTL-2 pedal turns the Delay effect on/off. For Closer To The Heart 1 Acoustic the CTL-1 pedal lowers the volume. For Closer To The Heart 3 Solo the CTL-1 pedal turns the Harmonist effect off/on and the CTL-2 pedal changes the Harmonist Master-Key setting [Note: After playing the beginning of the solo, press the CTL-1 pedal (to turn off the Harmonist effect) for playing the middle-solo section and then press both the CTL-1 pedal (to turn the Harmonist effect back ON) and the CTL-2 pedal for playing the ending harmony-solo notes; but press the CTL-2 pedal on the 4th to the last note in the solo to hit the right harmony-note and then press the CTL-2 pedal for the last 3 notes of the solo]. For Tom Sawyer the CTL-1 pedal switches from the rhythm-sound to the solo-sound [Note: Use the lead/bridge pickup for the rhythm-sound, and the rhythm/neck pickup for the solo-sound]. For Working Man the CTL-1 pedal switches from the rhythm-sound to the solo-sound [Note: Use both the rhythm/neck pickup and the lead/bridge pickup in dual-coil mode for the rhythm-parts and just the lead/bridge pickup in dual-coil mode for the solos]. For The Spirit Of Radio the CTL-1 pedal switches from the intro-sound to the rhythm-sound and the CTL-2 pedal switches from the rhythm-sound to a less-dirty/cleaner-sound [Note: For the solo use the intro-sound and press the EXP-1 pedal switch to turn the Wah-effect ON; You can also get 'The Spirit Of Radio Solo' BOSS GT-10 Patch for a much more accurate solo-sound for this song]. For The Spirit Of Radio Solo the CTL-1 pedal switches from the intro-solo-sound to the wah-effect-solo-sound. For Freewill the CTL-1 pedal switches to the solo-sound and the CTL-2 pedal turns the Delay effect On/Off for use in the solo.

STEVE VAI: For Tender Surrender 1 the clean electric sound is heard by having the EXP-1 pedal in the DOWN position, distortion in the UP position, with crunch distortions inbetween.

STEVIE RAY VAUGHAN: For Testify the CTL-1 pedal switches to the overdrive sound (Note: Start out using the rhythm/neck pickup in single-coil mode only, then switch the rhythm/neck pickup OFF and use the lead/bridge pickup in dual-coil mode for some of the other solos. For the very ending low-E note use the rhythm/neck pickup in single-coil mode while having the CTL-1 (Overdrive) pedal ON.).

SURVIVOR: For Eye Of The Tiger Distortion patch the CTL-1 pedal switches from stereo (left and right) guitars to one guitar in the center with the harmonizer effect added.

THE BEACH BOYS: For Surfin' USA the CTL-1 pedal switches from the intro guitar sound to the solo guitar sound.

THE DOOBIE BROTHERS: For China Grove Rhythm the CTL-1 pedal adds a guitar to the left-speaker, the CTL-2 pedal turns off/on the Delay effect, the EXP-1-Pedal-Switch changes the left-speaker-guitar to a clean setting. For China Grove Solo the CTL-1 pedal switches to the left-guitar sound (NOTE: For this left-guitar sound ONLY have your Lead/Bridge pickup ON and in single-coil mode; Rhythm/Neck pickup OFF), the CTL-2 pedal turns the Harmonizer effect on/off.

THE EAGLES: For Hotel California Distortion Guitar 1 the CTL-1 pedal changes the guitar from the left-speaker to the right-speaker, CTL-2 pedal turns the Phaser effect off (for the 5-notes just before the Chorus section). For Hotel California Distortion Guitar 2 the CTL-1 pedal changes from the Verse-1 guitar fills sound to the Verse-2 guitar fills sound (NOTE: GuitaRhythm Pickup settings: For Verse-1 Rhythm/Neck-pickup in single-coil mode, Lead/Bridge-pickup OFF; For Verse-2 Rhythm/Neck-pickup OFF, Lead/Bridge-pickup in dual-coil mode). For Hotel California Solo the CTL-1 pedal changes the guitar sound for the second guitar solo section, the CTL-2 pedal turns the Delay effect on/off. For Hotel California Clean the CTL-1 pedal changes from the center muted-bass notes sound to the right-speaker muted-strings pick-scratching sound.

THE OUTFIELD: For Say It Isn't So the CTL-1 pedal changes from the intro-distortion-sound to the guitar-solo sound and the CTL-2 pedal changes from the intro-distortion-sound to the clean-sound.

THE POLICE: For Every Breath You Take the CTL-1 pedal switches to the distortion bar-chord strumming part, the CTL-2 pedal changes the CTL-1 pedal sound for the distortion melody notes.

THE REMBRANDTS: For I'll Be There For You (Friends TV Theme Song) the CTL-1 pedal turns the Harmony effect off/on [Use only for the intro-sound] and the CTL-2 pedal switches to a brighter-sound for the A-chord note picking parts.

THE ROLLING STONES: For Honky Tonk Women the CTL-1 pedal puts the guitar from the right-speaker into the left-speaker for the solo/melody parts, (and for the person who hired me to make this BOSS GT-10 patch) the CTL-2 pedal puts the guitar in the center, adds reverb, and changes the delay and EQ settings. For (I Can't Get No) Satisfaction the CTL-1 pedal switches from the intro (distortion) sound to the rhythm (clean) sound and the CTL-2 pedal adds a two-guitar double-track effect to the intro (distortion) sound for use shortly after the intro begins [Note: For the intro (distortion) sound turn the rhythm/neck pickup off and have the lead/bridge pickup in single-coil mode. For the rhythm (clean) sound turn the lead/bridge pickup off and have the rhythm/neck pickup in single-coil mode].

U2: For Mysterious Ways the CTL-1 pedal changes from the intro (mono) guitar sound to the stereo guitar sound, and the CTL-2 pedal changes from the intro (mono) guitar sound to the harmonic note [no reverb, louder delay] guitar sound.

VAN HALEN: For Eruption the CTL-1 pedal turns FX1 (MXR Phase 90 effect) on/off, the CTL-2 pedal is for holding the very-last note, the EXP-1 pedal lowers/raises the held (CTL-2 pedal) note an octave. For You Really Got Me the CTL-1 pedal is for the solo section and includes the MXR Phase 90 effect. For Ain't Talking About Love patch the CTL-1 pedal boosts the Flanger effect (for all of the Flanger parts), and the CTL-2 pedal turns the delay effect on/off. For Beautiful Girls the CTL-1 pedal adds more effect for the solo. For Panama the CTL-1 pedal turns-OFF the reverb and delay for the very ending of the song. For House Of Pain the CTL-1 pedal turns off/on the Delay effect, and the CTL-2 pedal switches to the solo guitar sound. For Mean Street 1 (Intro to Mean Street) the CTL-1 pedal increases the amount of reverb and delay which can be used for the ending feedback fade out. For Mean Steet 2 (Rhythm patch) the CTL-1 pedal turns the MXR Flanger effect on/off, the CTL-2 pedal turns the MXR Phase 90 effect on/off, and the EXP-Pedal-Switch adds guitar to the right speaker for use in the second-half of the MXR Phase 90 guitar part and for the ending of the song left-speaker guitar part. For Mean Street 3 (Solo patch) the CTL-1 pedal turns the Delay effect on/off for the two-short-areas in the guitar solo, and the CTL-2 pedal puts the guitar in the right-speaker and increases the reverb effect for the songs ending solo. For Summer Nights the CTL-1 pedal switches between the rhythm/solo sound. For Black And Blue the CTL-1 pedal increases the delay level for the guitar solo. For Hear About It Later Rhythm the CTL-1 pedal switches from left-guitar to right-guitar sound and the CTL-2 pedal turns the Delay effect on/off for the high-note-bend delay-effect. For Hear About It Later Solo the CTL-1 pedal turns the Delay effect on/off for the ending notes. For Unchained the CTL-1 pedal turns the Flanger/Phaser effect on/off, CTL-2 pedal turns the Chorus effect on/off [Turn ON when the drums and bass guitar come in], EXP-1-Pedal-Switch switches from the Flanger effect to the Phaser effect (and vice versa) [Use the Phaser effect for the break-down section which is towards the middle of the song]. For Amsterdam the CTL-1 pedal turns the Flanger effect on/off. For Baluchitherium the CTL-1 pedal puts the guitar in the center channel and adjusts the effects. For Runaround the CTL-1 pedal changes to the solo sound (Note: Use both lead and rhythm pickups in dual-coil mode for the solo). For Pleasure Dome the CTL-1 pedal switches to the solo sound (Note: For the solo use the rhythm pickup in single-coil mode). For Cabo Wabo the CTL-1 pedal changes to the guitar solo sound (Note: Use the lead pickup in dual-coil mode for the solo). For Best Of Both Worlds the CTL-1 pedal switches to the guitar solo sound (Note: Use the lead-pickup in dual-coil mode for this solo). For Why Can't This Be Love Guitar the CTL-1 pedal turns the reverb effect off for the guitar solo section. For Jamie's Cryin' the CTL-1 pedal switches to the right-channel guitar melody sound, the CTL-2 pedal turns on/off the MXR Phase 90 effect, and the EXP-1 Pedal Switch turns the delay effect on/off for the left-guitar part. For Hot For Teacher the CTL-1 pedal changes to the clean sound. For Dance The Night Away the CTL-1 pedal switches to the center-channel guitar sound, the CTL-2 pedal switches to the right-channel guitar sound, the EXP-1 pedal controls the delay effect amount. For Feel Your Love Tonight the CTL-1 pedal turns the MXR Phase 90 effect on/off, the CTL-2 pedal switches to the guitar solo sound, the EXP-1-Pedal-Switch switches to a stereo guitar sound (with a guitar in both the left and right speakers). For And The Cradle Will Rock, Wurlitzer Electric Piano Sound the CTL-1 pedal turns the flanger effect on/off. For And The Cradle Will Rock, Rhythm the CTL-1 pedal changes to the right-reverb-flanger guitar sound (Note: Use this for the whole song), the CTL-2 pedal turns the flanger effect on/off. For And The Cradle Will Rock, Solo the CTL-1 pedal moves the guitar from the center to the right speaker (for use on the 2nd guitar solo). For Atomic Punk the CTL-1 pedal turns FX-2 (MXR Phase 90/Flanger) on/off, the CTL-2 pedal switches from the MXR Phase 90 effect to the MXR Flanger effect. For Jump the CTL-1 pedal switches to the solo/ending guitar sound. For Runnin' With The Devil the CTL-1 pedal switches to the quieter/cleaner-verse guitar sound, the CTL-2 pedal switches to the solo (right speaker) guitar sound. For Little-Guitars-1 the CTL-1 pedal switches to the stereo (left and right) guitar sound for the slide-guitar part, the CTL-2 pedal turns ON the delay effect for the slide-guitar part, the EXP-1-pedal-switch turns the FX2-effect off/on. For Little-Guitars-2 the CTL-1 pedal switches to the stereo guitar sound with delay. For Top Jimmy the CTL-1 pedal switches to the stereo (left and right) distortion guitar sound, the CTL-2 pedal puts the guitar in the center with delay (for the solo). For I'm The One the CTL-1 pedal turns the MXR Phase 90 effect on/off. For Dancing In The Street Synth the EXP-1 pedal controls how much of the high-pitched computer sound you want (DOWN-position none, UP-position full-on). For Dancing In The Street Guitar the CTL-1 pedal switches from the left rhythm guitar sound to the far-left delay guitar sound, the CTL-2 pedal switches to the guitar solo sound (from the left rhythm guitar sound), the EXP-1-Pedal-Switch turns the delay on/off for the one high-note bend in the middle of the guitar solo. For Intruder/Oh Pretty Woman the CTL-1 pedal increases the reverb effect (for Intruder). For Little Dreamer the CTL-1 pedal turns the MXR Phase 90 effect on/off (for the solo section). For Ice Cream Man the CTL-1 pedal turns the MXR Phase 90 effect on/off, the CTL-2 pedal switches to the right-speaker guitar sound. For Top Of The World the CTL-1 pedal switches to the right-speaker guitar sounds (melodies and solo), the EXP-1 Pedal-Switch turns the wah wah effect on/off (for the solo). For Drop Dead Legs Rhythm the EXP-1 pedal in the DOWN-position is for the intro and in the UP-position is for the rest of the song, the CTL-1 pedal is for the harmonic-notes solo just before the 2nd-verse. For Drop Dead Legs Solo the CTL-1 pedal switches to the right-speaker sound, the CTL-2 pedal switches to the guitar solo sound. For The Dream Is Over the CTL-1 pedal turns the Delay effect off/on, the CTL-2 pedal turns the Reverb effect on/off, the EXP-1 pedal in the UP-position puts the guitar towards the left-speaker and in the DOWN-position puts the guitar towards the right-speaker (for the guitar solos), the EXP-1-Pedal-Switch switches from Preamp-A to the Preamp-B sound. For Secrets the CTL-1 pedal switches from the clean-chorus sound to the guitar solo sound. For Poundcake the CTL-1 pedal switches from the full-distortion (verse/solo)sound to the less-distortion (intro/chorus) sound, the CTL-2 pedal places the guitar into the right speaker and increases the volume for the guitar solo. For The Seventh Seal the CTL-1 pedal turns the Flanger effect on/off. For Women In Love 1 Intro Clean the CTL-1 pedal turns the Delay effect off and changes the EQ and Preamp settings. For Women In Love 2 Distortion the CTL-1 pedal turns the Chorus effect on/off for the verses/solo/ending [Note: For the ending use both the bridge/lead pickup in dual-coil mode and the neck/rhythm pickup in dual-coil mode]. For Romeo Delight the CTL-1 pedal turns the Flanger effect on/off, the CTL-2 pedal turns the Phaser and Delay effects on/off, the EXP-1 pedal in the UP position places the guitar in the left speaker and in the DOWN position places the guitar in the right speaker. For Humans Being the CTL-1 pedal places the guitar in the center.

WAYLON JENNINGS: For Good Ol' Boys (Dukes Of Hazzard TV Theme Song) the CTL-1 pedal increases the reverb and delay effect-volume-levels for all the guitar parts towards the end of the song.

WES MONTGOMERY: For The Incredible Jazz Guitar patch the CTL-1 pedal turns the stereo effect off/on, the CTL-2 pedal turns the reverb effect off/on, the EXP-1 pedal turns the compression on/off.

YES: For Owner Of A Lonely Heart Intro patch the CTL-1 pedal changes from full-distortion with reverb to crunch-distortion with no reverb. For Owner Of A Lonely Heart Solo patch the CTL-1 pedal turns the Reverb on/off, CTL-2 pedal turns the FX-1 effect on/off for use from the middle through the end of the solo, and the EXP-1 pedal will add more reverb when pushed down.